MARC details
000 -LEADER |
fixed length control field |
03469nam a2200481 i 4500 |
001 - CONTROL NUMBER |
control field |
BDZ0021140362 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
StDuBDS |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20201209145553.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
121126s2013 enka 001|0 eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781907317958: |
Terms of availability |
£19.95 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1907317953 |
Qualifying information |
(pbk.) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)820782160 |
Canceled/invalid control number |
(OCoLC)807025116 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
StDuBDS |
Transcribing agency |
StDuBDS |
Modifying agency |
StDuBDSZ |
Description conventions |
rda |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
ART |
Source |
ukslc |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
ABA |
Source |
thema |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
701.85 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Ball, Philip, |
Dates associated with a name |
1962- |
9 (RLIN) |
25446 |
245 00 - TITLE STATEMENT |
Title |
Colour in the making : |
Remainder of title |
from old wisdom to new brilliance / |
Statement of responsibility, etc. |
edited by Phoebe Stubbs, Arrate Hidalgo, Phoebe Adler and Leanne Hayman. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
London : |
Name of publisher, distributor, etc. |
Black Dog, |
Date of publication, distribution, etc. |
[2013] |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London : |
Name of producer, publisher, distributor, manufacturer |
Black Dog |
Date of production, publication, distribution, manufacture, or copyright notice |
2013 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
239 pages : |
Other physical details |
illustrations (black and white, and colour) ; |
Dimensions |
28 cm |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
A visual history of art and design told through the lens of an ever-evolving colour palette--from the discovery and use of early earth pigments through to organic chemistry and into contemporary dyes, inks, printing techniques and manufacture. Chronologically structured, the book features three essays providing the historical and technical background for studies that illuminate art and science collaborations and innovations in the field of colour: Mark Clarke discusses colour innovations up until the Renaissance, Philip Ball focuses on the advances in organic chemistry in the nineteenth century, and Carinna Parraman examines print reproductions, technology, and the future of inks and paint making. These essays are accompanied by case studies such as Vincent van Gogh's prediction of colour uses in his personal letters, Master Pigments's efforts to recapture of surface effects of organic paints, Yves Klein's patented shade of blue, Cory Archangel's beautiful Photoshop Gradient Demonstrations and Jessica Stockholder's immersive work Color Jam which enlivened the streets of Chicago. -- From publisher description. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
COLOUR IN THE MAKING is structured around four essays, each of which provides the historical background for a series of case studies which illuminate art and science collaborations and innovations in the field of colour and the artists' projects they produced. Colour in the Making is a visual history of art and design told through the materials of color from the discovery and use of early earth pigments through lakes to organic chemistry and into contemporary dyes, inks, printing techniques and manufacture. Throughout this sumptuously colorful book artists and designers projects illustrate the often behind the scenes inventions and processes of color-making. In doing so Colour in the Making, through its international and deep exploration of the field of color, shows that art and science have always been inextricably linked. |
590 ## - LOCAL NOTE (RLIN) |
a |
18.53 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Color. |
9 (RLIN) |
2355 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Color in art. |
9 (RLIN) |
2361 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Pigments. |
9 (RLIN) |
6448 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art and Design. |
Source of heading or term |
ukslc |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Theory of art |
Source of heading or term |
thema |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Stubbs, Phoebe, |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Clarke, Mark, |
Dates associated with a name |
1962- |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Parraman, Carinna, |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
170608 |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b10483913 |
b |
cgen |
c |
- |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Suppress in OPAC |
0 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
Operator's initials, OID (RLIN) |
0 |
Cataloger's initials, CIN (RLIN) |
160916 |
First Date, FD (RLIN) |
m |
Local |
a |
-- |
- |
-- |
0 |