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Early film cultures in Taiwan, Hong Kong, and Republican China : (Record no. 50553)

MARC details
000 -LEADER
fixed length control field 02402nam a22003497a 4500
001 - CONTROL NUMBER
control field cd3df4be-06fc-444c-8626-c42106cb9d19
003 - CONTROL NUMBER IDENTIFIER
control field ScCtBLL
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20210318161709.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr u||||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 210303p20182019miu o u00| u eng d
037 ## - SOURCE OF ACQUISITION
Institution to which field applies BiblioBoard
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780472123445
029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC)
OCLC library identifier https://openresearchlibrary.org/ext/api/media/cd3df4be-06fc-444c-8626-c42106cb9d19/assets/thumbnail.jpg
040 ## - CATALOGING SOURCE
Original cataloging agency ScCtBLL
Transcribing agency ScCtBLL
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Yeh, Emilie Yueh-yu
9 (RLIN) 105743
245 00 - TITLE STATEMENT
Title Early film cultures in Taiwan, Hong Kong, and Republican China :
Remainder of title kaleidoscopic histories /
Statement of responsibility, etc. Emilie Yueh-yu Yeh.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Ann Arbor :
Name of producer, publisher, distributor, manufacturer University of Michigan Press,
Date of production, publication, distribution, manufacture, or copyright notice 2018.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (367 p.)
336 ## - CONTENT TYPE
Content type code txt
337 ## - MEDIA TYPE
Media type code c
338 ## - CARRIER TYPE
Carrier type code cr
520 ## - SUMMARY, ETC.
Summary, etc. This collection explores the complex world of early cinema in China, Hong Kong, and Taiwan. The story of how cinema established itself in China has not been well-understood. Cultural models for cinema-going and industry practices varied widely across China. By looking at several centers of cinematic activity, going beyond commercial fiction film to include non-fiction films (such as educational film), and taking on Cantonese as well as Mandarin productions. Beyond the Silver Screens presents early cinema in China in a new light Highlights Hong Kong, Taipei and Guangzhou as well as better-know examples from Shanghai, these essays foreground the cinema's relationships with imperialism and colonialism, examining how cinematic culture established itself by adapting to distinctive local social and artistic practices, emphasizing the potency of cinema as a sociocultural institution.
588 0# - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
590 ## - LOCAL NOTE (RLIN)
a KU Select 2017: Front list Collection
590 ## - LOCAL NOTE (RLIN)
a BiblioBoard internal publisher id: 100855
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Performing Arts / Film / History & Criticism
Source of heading or term bisacsh
9 (RLIN) 105552
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Performing arts
9 (RLIN) 105744
655 #0 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
9 (RLIN) 60863
758 ## -
-- Is found in:
-- KU Select 2017: Front list Collection
-- https://openresearchlibrary.org/module/1f26be41-6305-4920-be0e-8aeccfb6e7e0
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://openresearchlibrary.org/content/cd3df4be-06fc-444c-8626-c42106cb9d19">https://openresearchlibrary.org/content/cd3df4be-06fc-444c-8626-c42106cb9d19</a>
Public note View this content on BiblioBoard.
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