Vision and textuality / edited by Stephen Melville and Bill Readings.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- 9780333609699:
- 9780333609705:
- 0333609697
- 0333609700
- 700.104
Item type | Current library | Call number | Copy number | Status | Date due | Barcode |
---|---|---|---|---|---|---|
Reference | Wexford Campus Library Wexford Reference | 700.104 (Browse shelf(Opens below)) | 1 | Not for loan | 55477 |
CW027
Includes index.
[Part I General introduction]
[Part II] Basic concepts of art history / Stephen Melville -- Beholding art history: vision, place and power / Grisella Pollock -- Past looking / Michael Ann Holly -- A discourse (with shape of reason missing) / John Tagg -- The aesthetics of post-history: a German perspective / Irit Rogoff
[Part III] How obvious is art? Kitsch and the Semiotician / Bill Readings -- Reading the gaze: the construction of gender in Rembrandt / Mieke Bal -- Philostratus and the imaginary museum / Norman Bryson -- Topic and figures of enunication: it is myself that I paint / Louis Marin -- Armour fou / Hal Foster
[Part IV] The pen and the eye: the politics of the gazing body / Francois Lucbert -- Impersonal violence: the penetrating gaze and the field of narration in Caleb Williams / John Bender -- The visubility of visuality: Vauxhall gardens and sitting on the viewer / Peter de Bolla -- B/G / Thomas Crow
[Part V] Vision Procured / Bennet Schaber -- In the masters bedroom / Rosalind Krauss -- Photo-unrealism: the contribution of the camera to the crisis of ocularcentrism / Martin Jay -- Chance encounters: Flaneur and Detraquee in Bretons Nadja Victor Burgin
37.28