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Phototextualities : intersections of photography and narrative / edited by Alex Hughes and Andrea Noble.

Contributor(s): Material type: TextTextPublication details: Albuquerque : University of New Mexico Press, c2003.Edition: 1st edDescription: xiv, 287 p. : ill. ; 23 cmISBN:
  • 9780826328250
  • 0826328253
Subject(s): DDC classification:
  • 770/.1 21
LOC classification:
  • TR185 .P58 2003
Other classification:
  • 20.05
  • 770.9
Contents:
Nazi photographs in post-holocaust art: gender as an idiom of memorialization / Marianne Hirsch -- Narratives of place: history and memory and the evidential force of photography in work by Meridel Rubenstein and Joan Myers / Judith Fryer Davidov -- Still moving images: photographs of the disappeared in films about the "dirty war" in Argentina / Catherine Grant -- Image, memory, text / Nancy Shawcross -- Nan Goldin: Bohemian ballads / Chris Townsend -- (Con)text and image: reframing Man Ray's Noire et blanche / Wendy Grossman -- Gender in the archive: María Zavala and the drama of (not) looking / Andrea Noble -- Humanism reimagined: Spain as a photographic subject in W. Eugene Smith's "Spanish village" (1951) and Cristina Garca̕ Rodero's España oculta (1989) / John D. Perivolaris -- Hervé Guibert's photographic autobiography: self-portraiture in L'image fantôme / Alex Hughes -- Sophie Calle's Des histoires vraies: irony and beyond / Johnnie Gratton -- "Neither an odyssey nor a testament": drifting with Jacques Derrida and Catherine Malabou / Marie-Claire Barnet -- In the spiral of time: memory, temporality, and subjectivity in Chris Marker's La Jetée / Jon Kear -- Talking through the "fotygraft album" / Elizabeth Siegel -- The "eyes of affection" and fashionable femininity: representations of photography in nineteenth-century magazines and Victorian "society" albums / Patrizia Di Bello.

Includes bibliographical references (p. 271-280) and index.

Nazi photographs in post-holocaust art: gender as an idiom of memorialization / Marianne Hirsch -- Narratives of place: history and memory and the evidential force of photography in work by Meridel Rubenstein and Joan Myers / Judith Fryer Davidov -- Still moving images: photographs of the disappeared in films about the "dirty war" in Argentina / Catherine Grant -- Image, memory, text / Nancy Shawcross -- Nan Goldin: Bohemian ballads / Chris Townsend -- (Con)text and image: reframing Man Ray's Noire et blanche / Wendy Grossman -- Gender in the archive: María Zavala and the drama of (not) looking / Andrea Noble -- Humanism reimagined: Spain as a photographic subject in W. Eugene Smith's "Spanish village" (1951) and Cristina Garca̕ Rodero's España oculta (1989) / John D. Perivolaris -- Hervé Guibert's photographic autobiography: self-portraiture in L'image fantôme / Alex Hughes -- Sophie Calle's Des histoires vraies: irony and beyond / Johnnie Gratton -- "Neither an odyssey nor a testament": drifting with Jacques Derrida and Catherine Malabou / Marie-Claire Barnet -- In the spiral of time: memory, temporality, and subjectivity in Chris Marker's La Jetée / Jon Kear -- Talking through the "fotygraft album" / Elizabeth Siegel -- The "eyes of affection" and fashionable femininity: representations of photography in nineteenth-century magazines and Victorian "society" albums / Patrizia Di Bello.

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