Why photography matters as art as never before / Michael Fried.
Material type:
TextPublication details: New Haven, Conn. ; London : Yale University Press, c2008.Description: ix, 409 p. : ill. (some col.), ports. ; 29 cmISBN: - 9780300136845 :
- 9780300136845
- 0300136846
- 770.1
| Item type | Current library | Call number | Copy number | Status | Date due | Barcode |
|---|---|---|---|---|---|---|
| General Lending | Wexford Campus Library Wexford General Lending | 770.1 (Browse shelf(Opens below)) | 0 | Available | 62154 | |
| General Lending | Wexford Campus Library Wexford General Lending | 770.1 (Browse shelf(Opens below)) | 0 | Available | 62155 | |
| General Lending | Wexford Campus Library Wexford General Lending | 770.1 (Browse shelf(Opens below)) | 1 | Available | 62046 | |
| General Lending | Wexford Campus Library Wexford General Lending | 770.1 (Browse shelf(Opens below)) | 1 | Available | 61300 |
CW038
Includes bibliographical references and index.
Three beginnings -- Jeff Wall and absorption ; Heidegger on worldhood and technology -- Jeff Wall, Wittgenstein, and the everyday -- Barthes's Punctum -- Thomas Struth's museum photographs -- Jean-Franðcois Chevrier on the "tableau form" ; Thomas Ruff, Andreas Gursky, Luc Delahaye -- Portraits by Thomas Struth, Rineke Dijkstra, Patrick Faigenbaum, Luc Delahaye, and Roland Fischer ; Douglas Gordon and Philippe Parreno's film Zidane -- Street photography revisited : Jeff Wall, Beat Streuli, Philip-Lorca diCorcia -- Thomas Demand's allegories of intention ; "Exclusion" in Candida Hèofer, Hiroshi Sugimoto, and Thomas Struth -- "Good" versus "bad" objecthood : James Welling, Bernd and Hilla Becher, Jeff Wall.
35.98