| 000 | 03629namaa2200337dn 4500 | ||
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| 008 | 050525s2004 ie 000 0 e | ||
| 082 | _a709.417 | ||
| 245 | 0 | 0 |
_aThought lines 7 : _ban anthology of research / _cedited by Maebh O'Regan. |
| 260 |
_aDublin : _bNational College of Art and Design, Faculty of History of Art and Design and Complementary Studies, _c2004. |
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| 300 |
_axxiv, 233p. : _bill ; _c23 cm. ; _epbk. |
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| 504 | _aIncludes bibliographical references. | ||
| 505 | 0 |
_aEditor's foreword / Maebh O'Regan -- The _tFaculty as a resource for thesis research / John Turpin -- _tDirector's introduction / Colm Ó Briain. |
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| 505 | 0 |
_a[Victorian values] _tGeorge Noble Count Plunkett and his role in the Arts / Máire Ní Phluingcéid -- _tScience and spectacle: the debate between education and entertainment at Dublin zoo in the 19th century / Anna Turpin -- _tMilitary manoeuvres: the making of a masterpiece / Maebh O'Regan -- _tVisions materialised: the building of St. Coleman's Cathedral, Cobh (1868-1917) / Ann Wilson. |
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| 505 | 0 |
_a[Print and imprint] _tBook cover design and national culture / Gea Colombo -- The _tpower of the fairy tale: Alice and her illustrators / Paula Kennedy -- _tRepresenting the Great Irish Famine / Rachel Foley. |
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| 505 | 0 |
_a[Prêt à Porter] An _tinsight into Irish women and shopping during the 1950s and 1960s through the shop, Colette Modes / Alice Brady -- _tEveningwear for women in Ireland between 1930 and 1960 / Jenny Corish -- _tWindow display: cultural and historical developments: case study of Brown Thomas / Mary-Anna Kearney -- _tDonald Davies: Irish fashion designer of the 1960s and '70s / Aoife Ni Chofaigh -- The _tcouturier's cinema: Gaultier and his costume designs / Cathy Young. |
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| 505 | 0 |
_a[Art and artifice] _tSaul Bass: the movie posters of the 1950s / Stacy Masterson -- _tRepresentations of Northern Ireland: the art of Victor Sloan / Karl Hunter -- The _tpanorama and virtual reality: an imaginary elsewhere / Michelle Phelan. |
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_a[Custom and consumption] The _tIrish catholic burial habit / Maria Fenlon -- The _tre-use of flour bags by Irish homemakers from 1900 to 1960 / Ashling Doyle. |
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| 505 | 0 |
_a[Patriarchal politics] _tDepictions of motherhood / Pauline Cummins. |
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| 505 | 0 |
_a[Contemporary criticisms] The _teternal odyssey of meaning in art / Niamh Flanagan -- _tEco-culture: environmental art theory and practice within the context of radical ecological philosophy / Charlotte Swann -- The _treal and the imaginary in the work of Sophie Calle / Janice Harding -- _tFranchised freedom: the work of Atelier van Lieshout / Chloe Rowan Early -- The _trelationship between digital and tactile qualities in art / Sarah Browne -- _tConflicting ideologies: Emil Nolde and German art / Maria O'Brien. |
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| 505 | 0 |
_a[Media matter] _tCharacter, behaviour and performance in John Cassavetes' cinema / Paul Cronly -- _tHenry and Ford: national identity, landscape and people / Mary Noonan -- The _tterror by night, Bram Stoker's Dracula (Coppola, 1992) / Katryn O'Brien -- _tThere are no straight lines: the scientific influences on the work of Grace Weir / Aoife Ludlow -- _tBeing and the sublime in the work of Felix Gonzalez-Torres and Mark Wallinger / Thomas Keogh. |
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| 590 | _a10.00 | ||
| 700 | 1 |
_aO'Regan, Maebh. _930414 |
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| 710 | 2 |
_aNational College of Art and Design. _958477 |
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| 710 | 2 |
_aNational College of Art and Design (Ireland) _930146 |
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| 740 | 0 | 1 | _aThought lines seven. |
| 902 | _a160808 | ||
| 903 | _aMARS | ||
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