000 | 01159nam a2200385uu 4500 | ||
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001 | BDZ0003424927 | ||
003 | StDuBDS | ||
005 | 20190531160015.0 | ||
008 | 810615s1981 enka | 001 | eng d | ||
010 | _a80041575 | ||
020 |
_a9780710006509: _c£5.95 |
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020 |
_a9780710006493 : _c£11.95 |
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020 | _a0710006497 | ||
020 | _a9780710006493 | ||
020 | _a0710006500 | ||
020 | _a0415025524 | ||
040 |
_aUk _cUk _dStDuBDSZ |
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082 | _a791.43 | ||
245 | 0 | 0 |
_aTheories of authorship : _ba reader / _cedited by John Caughie. |
260 |
_aLondon : _bRoutledge & Kegan Paul in association with the British Film Institute, _c1981. |
||
300 |
_aix,316p.,[4]p. of plates : _bill. ; _c23cm. |
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490 | 0 | _aBritish Film Institute readers in film studies | |
500 | _aIncludes indexes. | ||
504 | _aBibliography: p. 302-308. | ||
590 | _a19.99 | ||
650 | 0 | _aAuteur theory (Motion pictures) | |
650 | 0 |
_aJohn Ford _xMovies |
|
700 | 1 | _aCaughie, John. | |
710 | 2 |
_aBritish Film Institute. _915712 |
|
902 | _a170110 | ||
907 |
_a.b10342229 _bwgen _c- |
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942 | _n0 | ||
998 |
_b0 _c090202 _dm _ea _f- _g0 |
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999 |
_c32399 _d32399 |