000 | 02115cam a2200409 a 4500 | ||
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001 | BDZ0008264200 | ||
003 | StDuBDS | ||
005 | 20190531160056.0 | ||
008 | 080620s2008 ctuac b 001 0 eng d | ||
010 | _a2008019019 | ||
020 |
_a9780300136845 : _c£30.00 |
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020 | _a9780300136845 | ||
020 | _a0300136846 | ||
040 |
_aStDuBDS _beng _cStDuBDS _dWlAbNL _dUk _dStDuBDSZ |
||
072 | 7 |
_aAJ _2thema |
|
082 | _a770.1 | ||
100 | 1 | _aFried, Michael. | |
245 | 1 | 0 |
_aWhy photography matters as art as never before / _cMichael Fried. |
260 |
_aNew Haven, Conn. ; _aLondon : _bYale University Press, _cc2008. |
||
300 |
_aix, 409 p. : _bill. (some col.), ports. ; _c29 cm. |
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500 | _aCW038 | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aThree beginnings -- Jeff Wall and absorption ; Heidegger on worldhood and technology -- Jeff Wall, Wittgenstein, and the everyday -- Barthes's Punctum -- Thomas Struth's museum photographs -- Jean-Franðcois Chevrier on the "tableau form" ; Thomas Ruff, Andreas Gursky, Luc Delahaye -- Portraits by Thomas Struth, Rineke Dijkstra, Patrick Faigenbaum, Luc Delahaye, and Roland Fischer ; Douglas Gordon and Philippe Parreno's film Zidane -- Street photography revisited : Jeff Wall, Beat Streuli, Philip-Lorca diCorcia -- Thomas Demand's allegories of intention ; "Exclusion" in Candida Hèofer, Hiroshi Sugimoto, and Thomas Struth -- "Good" versus "bad" objecthood : James Welling, Bernd and Hilla Becher, Jeff Wall. | |
590 | _a35.98 | ||
650 | 0 |
_aPhotography _xPhilosophy |
|
650 | 0 |
_aPhotography, Artistic. _96385 |
|
650 | 7 |
_aPhotography & photographs _2thema |
|
856 | 4 | 1 |
_yView Table of contents _uhttp://www.loc.gov/catdir/toc/ecip0817/2008019019.html |
856 | 4 | 1 |
_ySend a message to library staff if access to this online resource is unavailable _umailto:libdesk@itcarlow.ie?subject=Resource%20unavailable |
902 | _a160808 | ||
907 |
_a.b10358110 _bwgen _c- |
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942 | _n0 | ||
998 |
_b0 _c100315 _dm _ea _f- _g0 |
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999 |
_c33960 _d33960 |