000			02946cam a2200373 a 4500
008			110908s2002 000 0 eng d
010			_a2002728040
020			_a0714839302
020			_a9780714839301
020			_a9780714839301: _c£45.00
072		7	_aAGA _2thema
082			_a709.04075
245	0	0	_aConceptual art / _cedited by Peter Osborne.
260			_aLondon ; _aNew York : _bPhaidon, _c2002.
300			_a304 p. : _bill. (some col.) ; _c30 cm. ; _epbk.
490	1		_aThemes and movements
500			_aCW027
504			_aIncludes bibliographical references (p. 298-299) and index.
505	0		_aWorks. Pre-history : 1950-1960 -- Instruction, performance, documentation -- Process, system, series -- Word and sign -- Appropriation, intervention, everyday -- Politics and ideology -- Institutional critique -- Afterwards -- Documents. Pre-history : 1950-1960 -- Instruction, performance, documentation -- Process, system, series -- Word and sign -- Appropriation, intervention, everyday -- Politics and ideology -- Institutional critique -- Afterwards.
520	2		_aThis book marks a new, original and authoritative re-examination of a major turning point in late twentieth-century art. Since the mid 1960s Conceptual art - an art that consists of ideas, written down, enacted or simply carried in your head - has directly challenged the very notion that a work of art is by definition an object of visual pleasure. Conceptual art is first and foremost an art of questions. As this book demonstrates, Conceptual art continues today to raise fundamental questions not only about the definition of art itself but about politics, the media and society. Conceptual art, since its zenith from 1966 to 1972, has influenced not only all subsequent art but made a major contribution to the history of ideas. It, in turn, drew much of its inspiration from the writings of thinkers ranging from the philosopher Ludwig Wittgenstein to the playwright Samuel Beckett. For the first time, excerpts from these key influential writings are included alongside the major original texts by artists, critics, curators and art historians. An international movement, Conceptual art encompasses not only North America and Western Europe but also South America, Eastern Europe, Russia, China and Japan. Its legacy is global, ranging from small local participatory projects to large-scale installations at major museums and biennales.
590			_a27.95
650		0	_aConceptual art. _92527
650		0	_aConceptual art _xHistory
650		0	_aConceptual art _xInfluence
650		7	_aArt and Design. _2ukslc
650		7	_aHistory of art _2thema
700	1		_aOsborne, Peter, _d1958-
776	0	8	_iOnline version: _tConceptual art. _dLondon ; New York : Phaidon, 2002 _w(OCoLC)606824816
830		0	_aThemes and movements. _929166
902			_a161202
907			_a.b10393377 _bwgen _c-
942			_n0
998			_b0 _c110908 _dm _ea _f- _g0
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