000			03543cam a2200505 i 4500
008			160329s2016 000 0 eng d
010			_a2014013081
020			_a0300203977 _q(hardback)
020			_a9780300203974 _q(hardback)
020			_a9780300203974: _c£25.00
035			_a(OCoLC)875644487 _z(OCoLC)894344685
040			_aDLC _beng _erda _cDLC _dYDX _dYDXCP _dBTCTA _dBDX _dERASA _dOCLCF _dUKMGB _dIXA _dCHVBK _dZCU _dCOO _dIAK _dPUL _dIDU _dVP@ _dOCLCQ _dOCLCO _dS3O _dOCLCO
042			_apcc
072		7	_aAGA _2thema
072		7	_aAV _2thema
072		7	_aJBCC1 _2thema
072		7	_aAVL _2thema
072		7	_aAB _2thema
082			_a700.904
100	1		_aCrow, Thomas E., _d1948- _919793
245	1	4	_aThe long march of pop : _bart, music, and design, 1930-1995 / _cThomas Crow.
264		1	_aNew Haven : _bYale University Press, _c[2014]
300			_aix, 412 pages : _billustrations (some color) ; _c28 cm ; _ecased.
336			_btxt
337			_bn
338			_bnc
500			_aCW088
504			_aIncludes bibliographical references and index.
505	0		_aPreface -- Before Pop there was folk -- Alias Smith and Johns : an American cosmos -- Rauschenberg's combines : subjective art for an objective age -- Space is the place : other worlds in the Pop universe -- Lichtenstein becomes Lichtenstein -- Robert Indiana's signs and symbols -- Ad men : Andy Warhol and James Rosenquist cross the great divide -- The nearest faraway place : Billy Al Bengston and Pop life in LA -- Eyes on California : Oldenburg, Warhol, Hockney, and Ruscha take the trip -- Showdown on East Forty-seventh : Bob Dylan and Andy Warhol -- The hunter gets captured by the game : graphics, film, music -- Epilogue.
520			_a"Thomas Crow's paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor's insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow's starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and '40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book."-- _cProvided by publisher.
590			_a27.90
650		0	_aPop art. _96586
650		0	_aArt and music _xHistory _y20th century
650		0	_aArts and society _xHistory _y20th century
650		7	_aArt and Design. _2ukslc
650		7	_aHistory of art _2thema
650		7	_aMusic _2thema
650		7	_aPopular culture _2thema
650		7	_aMusic: styles & genres _2thema
650		7	_aThe arts: general issues _2thema
902			_a160329
907			_a.b10477822 _bwgen _c-
942			_n0
998			_b0 _c160329 _dm _ea _f- _g4
999			_c45655 _d45655