000			05918cam a2200469 a 4500
008			160914s2011 000 0 eng d
010			_a2010037527
020			_a0854881883 _q(Whitechapel Gallery)
020			_a9780854881888 _q(Whitechapel Gallery)
020			_a9780262515672 _q(MIT Press pbk. ; _qalk. paper)
020			_a0262515679 _q(pbk. ; _qalk. paper)
020			_a9780854881888: _c£14.95
072		7	_aABA _2thema
082			_a759.06
245	0	0	_aPainting / _cedited by Terry R. Myers.
260			_aLondon : _bWhitechapel Gallery ; _aCambridge, Mass. : _bMIT Press, _c2011.
300			_a239 pages ; _c21 cm. ; _epbk.
336			_btxt
337			_bn
338			_bnc
490	1		_aDocuments of contemporary art
500			_aCW038
500			_aCW057
500			_a"Artists surveyed include Francis Alÿs, Kevin Appel, Glenn Brown, Pavel Büchler, Daniel Buren, Ingrid Calame, Vija Celmins, John Currin, Atul Dodiya, Marlene Dumas, Olafur Eliasson, Bernard Frize, Katharina Grosse, Andreas Gursky, Wade Guyton, Peter Halley, Mary Heilmann, Gary Hume, Vanessa Jackson, Martin Kippenberger, Jutta Koether, Michael Krebber, Jonathan Lasker, Paul McCarthy, Suzanne McClelland, Beatriz Milhazes, Marilyn Minter, Takashi Murakami, Surendran Nair, Tam Ochiai, Albert Oehlen, Lari Pittman, Sigmar Polke, Monique Prieto, Gerhard Richter, Robert Ryman, David Salle, Chéri Samba, Julião Sarmento, Jim Shaw, Jessica Stockholder, Hiroshi Sugito, Philip Taaffe, Luc Tuymans, Jeff Wall, Sue Williams"--Back cover.
500			_a"Writers include Art & Language, Daniel Birnbaum, Norman Bryson, Douglas Crimp, Gilles Deleuze, Sebastian Egenhofer, Hal Foster, Jeremy Gilbert-Rolfe, Isabelle Graw, Ulrike Groos, Howard Halle, David Joselit, Shirley Kaneda, Jordan Kantor, Geeta Kapur, John Kelsey, Joan Key, Thomas Lawson, Jonathan Lethem, Midori Matsui, Lane Relyea, Rene Ricard, Meyer Raphael Rubinstein, Jerry Saltz, Mira Schor, Barry Schwabsky, Adrian Searle, John Tagg, Philip Tinari"--Back cover.
504			_aIncludes bibliographical references and index.
505	0		_aPainting : The end of painting, 1981 / Douglas Crimp -- The painting before painting, 1981 / Gilles Deleuze -- Last exit: painting, 1981 / Thomas Lawson -- The radiant child / Rene Ricard -- Notes on the paintings / Peter Halley -- The invisible body, 1983 / Norman Bryson -- Victorine: libretto for an opera, 1984 / Art & Language -- SIgns taken for wonders, 1986 / Hal Foster -- In conversation with Benjamin H.D. Buchloh / Gerhardt Richter -- Robots and painters, 1987 / Lee Ufan -- Dreaming America, 1989 / Barry Schwabsky -- Thrift store paintings, 1990 / Jim Shaw -- Painting and its others: in the realm of the feminine, 1991 / Shirley Kaneda -- The painting undone, 1991 / Meyer Raphael Rubinstein -- In conversation, 1992 / Vija Celmins and Chuck Close -- Spiritual America: Sue Williams taps a vein of female anger, 1992 / Elizabeth Hess -- Punishment and decoration: art in an age of militant superficiality, 1993 / Michael Corris and Robert Nickas -- Woman and painting, 1993 / Marlene Dumas -- Course proposal, 1993 / Mira Schor -- Unbound, 1994 / Adrian Searle -- In conversation with Oleg Grabar, 1994 / Philip Taaffe -- In conversation with Keith Sward, 1995 / John Currin -- Basquiat, 1996 / Julian Schnabel -- Cabbages, raspberries and video's thin brightness, 1996 / Jeremy Gilbert-Rolfe -- In conversation with Terry R. Myers, 1996 / Lari Pittman -- Kassel Rock, 1997 / Catherine David and Robert Storr -- In conversation with David Ryan, 1997 / Bernard Frize -- Virtually formal, 1998 / Lane Relyea -- Looking at pictures, 1999 / Mary Heilmann -- Photo-unrealism, 2000 / Howard Halle -- Dismantled norms: apropos an Indian/Asian avant-garde, 2000 / Geeta Kapur -- New openings in Japanese painting: three faces of minor-ity, 2001 / Midori Matsui -- In conversation, 2001 / Albert Oehlen and André Butzer -- Where is painting now?, 2002 / Daniel Birnbaum -- In conversation with Jonathan Watkins, 2002 / Katharina Grosse -- On Paul McCarthy: Painter, (1995), 2003 / Ulrike Groos -- The fortress of solitude, 2003 / Jonathan Lethem -- In conversation with Rochelle Steiner, 2004 / Glenn Brown -- The Tuymans effect, 2004 / Jordan Kantor -- In conversation, 2004 / Beatriz Milhazes and Christian Lecroix -- In conversation with André Magnin, 2004 / Chéri Samba -- Stop painting painting, 2005 / John Kelsey -- The Richter resolution, 2005 / Jerry Saltz -- Classics of modernism: Jutta Koether's treatment of canonical painters, 2006 / Isabelle Graw -- Vanessa Jackson: the private persistence of public art, 2006 / John Tagg -- The painter, 2007 / Svetlana Alpers and Matthew Collings -- Original copies: on the Dafen oil painting village, 2007 / Philip Tinari -- Pavel Büchler: painting as praxis, 2007 / Joan Key -- Figures of defiguration: four theses on abstraction, 2008 / Sebastian Egenhofer -- Painting beside itself, 2009 / David Joselit.
520	4		_aPainting has often been pronounced dead since the end of the 19th century, yet its resurgence in the 1980s initiated a dramatic expansion of its field. This is a guide to painting's multiple discourses from that moment, going beyond the modern/postmodern dialectic and redefining the conditions necessary for an artwork to be described as 'painting' in today's and tomorrow's world.
590			_a17.57
650		0	_aPainting, Modern _y20th century _xThemes, motives
650		0	_aPainting, Modern _y21st century _xThemes, motives
650		0	_aArt criticism.
650		0	_aArt _xThemes, motives _91382
650		7	_aArt and Design. _2ukslc
650		7	_aTheory of art _2thema
700	1		_aMyers, Terry R.
830		0	_aDocuments of contemporary art series.
902			_a160914
907			_a.b10483664 _bwgen _c-
942			_n0
998			_b0 _c160914 _dm _ea _f- _g0
999			_c46234 _d46234