000 | 02000cam a2200409 a 4500 | ||
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008 | 160916s1979 000 0 eng d | ||
010 | _a86011495 | ||
020 |
_a0306802724 _q(pbk.) |
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020 |
_a9780306802720 _q(pbk.) |
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020 |
_a9780306802720: _c$9.95 |
||
035 | _a(OCoLC)13581696 | ||
040 |
_aDLC _beng _cDLC _dBAKER _dBTCTA _dYDXCP _dBUR _dA7U _dBDX _dOCLCO _dOCLCF _dOCLCQ |
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072 | 7 |
_aATQ _2thema |
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072 | 7 |
_aAJTF _2thema |
|
082 | _a778.535 | ||
100 | 1 | _aRosenblum, Ralph. | |
245 | 1 | 0 |
_aWhen the shooting stops, the cutting begins : _ba film editor's story / _cRalph Rosenblum and Robert Karen. |
260 |
_aNew York, N.Y. : _bDa Capo Press, _c[1986], ©1979. |
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300 |
_aviii, 310 pages, [1] pages of plates : _billustrations, portraits ; _c20 cm. ; _epbk. |
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336 | _btxt | ||
337 | _bn | ||
338 | _bnc | ||
490 | 0 | _aA Da Capo paperback | |
500 | _aIncludes index. | ||
520 | _aThe story of one of the most important and least-understood jobs in moviemaking--film editing--is here told by one of the wizards, Ralph Rosenblum, whose credentials include six Woody Allen films, as well as The Pawnbroker, The Producers, and Goodbye, Columbus. Rosenblum and journalist Robert Karen have written both a history of the profession and a personal account, a highly entertaining, instructive, and revelatory book that will make any reader a more aware movie-viewer. -- Product Description. | ||
590 | _a11.14 | ||
650 | 0 |
_aMotion pictures _xEditing _95793 |
|
650 | 7 |
_aDance _2thema |
|
650 | 7 |
_aPhotography: specific techniques _2thema |
|
700 | 1 | _aKaren, Robert. | |
856 | 4 | 2 |
_yView Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy0832/86011495-b.html |
856 | 4 | 2 |
_yView Publisher description _uhttp://catdir.loc.gov/catdir/enhancements/fy0832/86011495-d.html |
902 | _a160916 | ||
907 |
_a.b10483950 _bcgen _c- |
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942 | _n0 | ||
998 |
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999 |
_c46263 _d46263 |